Dragons & Snakes; Horses Aflame

Welpy-welp.

I’ve officially arrived at the ass end of the snake year.

The boulevard outside my door was soaked in pooling sewer filth from the 27th of December to about January 20th.

The snake has incontinence in it’s old age. Or it is terrified of the coming hooves of the next year.

I remember once being at a picnic with my family on some bright New England day. I don’t know who spotted it, but we– us kids got excited about finding a snake nearby. I believe I was the quickest one and was able to catch the garter snake with my hands. I did not keep hold of it for very long. It was terrified of being snatched up out of the grass by a child and it wet me in defense. And it 𝓈𝓉𝒶𝓃𝓀. I remember the talk turn immediately to best practices for nullifying strong animal odors, skunk smells especially. Tomato juice seemed to be top of the list. We did not have that available– and perhaps orange juice was used instead? I have trouble remembering if it was me who actually caught a wild animal with my own hands. I remember many hands: my siblings’ hands; my parents’ hands. I don’t remember any admiration directed at me for quickness of body, for swiftness, deftness. I remember skunks and tomato juice instead. But a snake had been caught then and admired for a moment. 

Last year when the dragon transitioned to the snake, David Lynch was taken away in the momentum. That was something I felt deeply because he was on my mind in the days before he passed. This year, I get shit almost literally thrown on my doorstep. Not much better?

In spite of all the offal at home and abroad–  (I see you Myanmar, DR Congo, Rwanda, Thailand, Cambodia, Sudan, Iran, Venezuela, Ukraine, Iran, Palestine… ET FRIKKIN AL)– I have been able to carve out some moments to “appreciate” my health journey since being struck down with the elfshot. I’ve made a curation here of some consecutive Julys that show the goings of this journey:

In July 2021 I was trying to go about my day to day while in a massive continual brain fog state. I was three months out from taking my first antibiotics for Brucellosis. I was functional, but not at all. I was brought along to Mexico City for a music+art thing with Hugo Crosthwaite and The Color Forty Nine. Covid-19 was was taking thousands of people out of life daily. Wearing medical masks was politicized. 

Flip forward a year to July 2022. I was in the middle of another antibiotics regimen to clear my system of Brucella and Bartonella. I was taking three kinds of antibiotics for two months straight. This was after taking shots of antibiotics in the ass in November 2021. My body was in so much pain and discomfort. I was begging for death. 

No one told me antibiotics make you suicidal.

Flip forward a year to July 2023. I was sporting another major scar from having my uterus taken out in May for which I had to take more antibiotics. I was traveling to San Miguel Allende for the Guanajuato Film Festival: a working vacation. Somehow, I rode a horse.

Flip forward another year to July 2024. I was a stunned animal going out alone, for the time in years, to a strange part of the US (South Dakota)– a piece of driftwood from the Pacific dropped in the Badlands. I was attending a sci-fi / fantasy convention to catch the year in the form of a man. I caught a dragon… or perhaps was caught by a dragon. I met such beautiful humans there that I would keep them forever if I could. It pains me to think of how I was barely present in their presence. 

Flip forward another year to July 2025. I was only just starting to truly come out of the brain fog I’d been in since 2021. One year to the day, my “impressionable” little HIGHLY SENSITIVE self dreamt about that sci-fi / fantasy convention. 

I broke the July travel pattern by visiting Mexico City in May/June. It was to catch a snake– to catch the year in the form of a man at a sci-fi / fantasy convention– again! It’s not a simple thing to hold an international sex symbol when you understand what that means. Of course, I suffered for it more than when I got the stink of a garter snake on my hands. I lost weight (I do NOT need to lose weight) and my body thought it would be fun to have a pretend menses– something to do with my body continuing to mend from surgery. Harried over-stimulation, not adjusting to the oxygen levels… I was a walking disaster. But a disaster improved from the disaster that I was a year before; but in a different way.

Healing is not a straightforward going. 

(Heh. Skål to the Mikkelsen brothers for being a part of my irregular processes. Also, sorry, boys.)

These days I continue to have twitching in my eyes to remind me of my distress. It’s a far cry from when I used to feel like my body was going to stop working if I exerted myself beyond casual usage. I could not lift or carry much more than my own body and even then I had to be mindful. My neuromuscular interconnection was so screwed that just stretching would trigger panic attacks; waking up in the morning triggered them. Doctors don’t tell you the nuances of what anemic “fatigue” is like. They have even less understanding of the gut-brain axis. 

I’ve soldiered myself from the fragility of existence to working with weights. I can almost carelessly do jumping jacks. I have muscle tone again. My brain fog is cleared. This is not insignificant. You have no idea the number of times I have broken down crying because I could do something with my body again, and it didn’t hurt in a horrifically unexpected way, or I didn’t expect… repercussions for it. 

I mean, hey, it’s not like I was/am an art model and butoh performer. It’s not like I’m not going to be devastated at the loss of what little physical prowess I had, or anything. 

The wood burns. The Horse runs swift. 

I am here to witness it. I am here.

Be proud for me. I am not dead.


Art Basel Miami – COME TO THE FAIR!

artist: Peter Halley

At the top of this month I went to Art Basel Miami.
Not the whole Miami art week extra satellite show whateverness, but the Art Basel Miami fair itself.

There were over 280 booths full of eye candy to match that vase you have or that vice you have.

Oh, OK, it wasn’t all vacuous. I remember seeing a large circular wall hanging that caught my attention because it was made out of hammered bullet casings arranged to look like scales on a shield– the offensive killing thing made into a beautiful defensive thing. I liked that.

I needed to carry that beautiful defense with me to block out the dog and donkey shows in the “new media” section though. I am sure you can guess the dog reference. It was all over the new outlets stealing undeserved attention. Unfortunately, there was another exhibit that was even more… ‘adding to the problem.’ 

Just imagine being too poor to live in your own country, and this artless cryptobrosephus billionaire is standing next to you begging for money– with money– at an art fair. And that is supposed to be The Art. No cute robots. People just line up, pay money at a machine, and walk away with a receipt in a baggy.

Thousands willingly played the ass to a ‘trickster’ scheme. Hee-haw-haw-haw. And what is that ‘trickster’ going to do with the money he’s rolling in? More rolling? What a lark. But then, hey, you have to go home to cockroaches, mildew and the vague threat of narcoviolencia– and you have no idea how good your safety net will be when you do have a massive crisis.  

I very much enjoy the Trickster archetype, but eh– my soul was clawing at me like it was suffocating. Every time I walked through that section, it was a quick march with blinders on. Which is a shame. There were some interesting pieces that I just could not spend more time with.

artists: ?, Catherine Ross, ?, Frank Walter, Kathy Butterly, Robert Coutelas, Cossette ZENO, Ken Price, ?

Honestly, I couldn’t spend time with much of anything. The way people clumped and crowded, I felt I needed to keep moving to keep some sort of safe distance. I didn’t what to give the booth-minders any hope that I was a buyer either. It’s not like looking at work in a museum. The pressure you feel isn’t to make sure you aren’t standing closer than six inches to a piece, it’s pressure to lure the green out of your pockets.

Sales are to be made in this place. Serious amounts of money flow here. I could feel there was so much pressure for this to happen on the first day that I was nervous to goof around. I held back until the last day. That was sort of like a free for all for the plebes. It was then that I took photos of my Thrawn action figure posing with random pieces of art while the gallerists started to let themselves unwind.

Of the many thousands of people who have gone through Art Basel Miami, how many have taken a Thrawn action figure with them?

My eleven year old artist self got to safely experience a very grown-up part of the art world, hand in hand with a genius tactician alien who can analyze the hell out of the art and with that explain how to demolish any of these people…

artists: Robert Colescott, Alex Jackson, Andrew Sim

Since I was little, I’ve wanted to be close to the arts, to be a an artist, to support other artists… but my road’s been rough and quite dark. It was nice to have Thrawn there to show my child self that in spite of the shit, I am right up there with these elites. I am not just sick and stuck in a hole in Baja. I am doing the thing. It’s not as nice as I need it to be, but I am doing the thing. Somehow.

It would be ungracious of me to not mention that it was LDJ LA Gallery who gave me a pass to this other world where art and money merge. I’m grateful to have seen the fashion show of it all.  And, yeah, there were tears in my eyes when I witnessed a couple make that one purchase, and blunt need’s edge for a while longer. I didn’t leave Miami feeling less than.

artist: Joe Fig
the Mystery Science Theater 3000 that was in my head the whole time

…og jeeeeeeg… vil jeg alltid elske deeeeeg?

That I have been depressed and bitter for the past few months is understating. 

Perhaps I should have remained silent for having nothing nice to say, but no. I have to go on being that wretched thing trying to express itself; a thing all determined to make monthly posts to prove that it is steadfast in a… craft. And if it’s trash, then it’s trash. That was my best at the time. Everyone has to take a shit. I too will be forgiven for stinking up a room? 

These days have been brighter and I can share what my dopamine depression distraction was this time. My hormonal state was balanced enough for me to nudge back toward educational amusement; which got me to where my goring complaints about existence could lose their brute force, and the knife throwing more nerfed than dodgeball. Heh, my complaints would have sparkling brut force then?

Languages are fascinating. I can and do get caught up in thinking about the way people attach sounds to objects, ideas, actions, feelings… someone’s smuk is someone else’s pulchritude. And I am an idiot (no degrees here) who bothers to ask a pseudo-scholarly, “why?”

How do humans come to agree on a set of weird noises and hand gestures that mean the same things to them? Then how do they agree on a set of weird squiggle shapes that stand for the weird noises they make? Why did those choices feel right to those people? 

By reason of this anthropological curiosity (and with my latest professional crush in mind), I went on Duolingo and added Danish to my list of languages that I learn– recreationally. I have all five of the romance languages, Welsh, Japanese, Chinese, Navajo, and now Danish on that list. 

Please, please do not think I am some polyglot. Poly? Yeah, sure. (In theory.) But the glot part? Eh… 

I don’t learn languages for the practical purpose of talking to someone. Heck, no! WHY WOULD I BE PRACTICAL?! I aM aN arTiST! And do you have any idea how difficult it is for me to TaLk to people in my default language to begin with?!

I stuff my head with sounds and concepts of language so I can make connections that are interesting to me. You have to do what interests you first, right? Perhaps others would find these connections interesting? I can only hope…

So, with all the Northmen I’ve got in my head looking on (What? Doesn’t everyone have Northmen in their heads? Is that just a me problem?), I started down that dim, mist laden road of ø, and making sounds akin to choking on a salted licorice. (Salted licorice is unironically awesome, by the way.)

I’m a few lessons into Duo’s Danish and dying already from the pronunciations of words that look like they should be so damned obvious to say and then aren’t. You read. And listen. And you find you want to yell expletives at the words for looking one way, but sounding another way; so you blubber rather than make the appropriate pronunciation while the app keeps asking you to say it again one more time causing vasodilation (blushing, sweating, physical embarrassment reaction) even though you are alone in the room and no one can hear what would cause an entire Scandinavian tribe break to out in hives.   

I’m throwing mad, what the ever loving f– exclamations at the app, and all the way back to the ancestors here.

Like, why use the letter D when what you really mean is an L that refuses go cavort on the fens with their buddies because of that one time they were humiliated in front of someone they liked by falling completely into some frigid bog water; and caught a cold? 

You can’t just swap out Ð (ð) like that! Ð isn’t even an L sound! Do I have to go back in time and yell at block printers?!

Oh, and, hey, y’alls can kiss off with your vigesimal counting system. (3 – ½) x 20 is a single Danish number? Seriously? Psh. We get it. You can do aaall the maths. No need to flex so hard to impress the peasants. I have a trauma from the 1st grade connected with math. I, for one, am not impressed.

In conclusion, learn Swedish first. 
Which, I won’t. For reasons. 😉

Jeg har en… cerebro lleno de chingaderasRegarde, j’aime beaucoup cet Bonkersville mais… Who is going to understand me? É uma coisa terrível mas maraviolhosa também. *sigh doble